Tuesday, December 2, 2008

Criss Cross - Book Review


Title: Criss Cross
Author: Lynne Rae Perkins
2006 Newbery Medal award winner
Reading level: Ages 9-12
Pages: 337
Publisher: Greenwillow (August 30, 2005)
ISBN-10: 0060092734
ISBN-13: 978-0060092733

Characters in Criss Cross represent the feelings of many teenagers of all generations. Whether it be in the 1970’s or 1960’s. I dare say there is not a person among us who hasn’t wished they were someone else one time or another. Young teens will relate to the self-consciousnesses and uncertainty that all the characters exhibit, each of whom is struggling toward awareness.

Debbie and Hector, both 14, are the focus and most of the novel is through their narration. In addition to that, Perkins sets up a secondary story involving Debbie’s missing locket and the journey it takes as it is passed around by a number of different characters.

Criss Cross reads like a series of vignettes which is focused on Debbie and her friends. Debbie’s friend Linney teaches her to drive a pick up without leaving the drive way because Lenny’s parents are not home. This experience comes in handy much later when Debbie is placed in a precarious position being the only one who has driving experience and she has to take an elderly lady to the hospital.

Hector has a crush on Meadow and wants to take her someplace special. A place she has never been. The only place he can find in town is the garbage strewn ravine. He pictures it as a beautiful place if all the garbage was gone. His sister Rowanne reminds him it is only a ditch. Hector’s dad gives him a guitar but can’t afford music lessons, except for the free ones given down at the church by the priest.

There is a great deal of humor in this tender story about a group of childhood friends facing the crossroads of life and how they wish to live it. The book is illustrated with Perkins's amusing drawings and some photographs. Also Perkins experiments with writing an entire section of dialogue in haiku. “Jeff White is handsome, / but his hair is so greasy. / If he would wash it.”

What teen has not had the desire to just be somewhere else? A group of friends decided to conduct an experiment with travel. They decided to go to the bus station and get on the first bus that came through and get off at the first stop no matter where it was. They would spend a few hours and then come back.

Perkins has created a group of likable characters searching for who they are and who they will become. It is not hard to find a character to identify with.

About the author: Lynne Rae Perkins is the author of three picture books, The Broken Cat, Clouds for Dinner, and Home Lovely, a Boston Globe/Horn Book Honor Book. Her novel All Alone in the Universe was named an ALA Notable Book, an ALA Book list Editor's Choice, a Bulletin Blue Ribbon Book, and a Smithsonian Magazine Notable Book for Children. She lives with her family in northern Michigan, where it snows all the time.

Write it down,
Carma

Monday, December 1, 2008

Today is Cyber Sale Monday!


On Cyber Sale Monday you'll find all sorts of bargains all over the Internet. So we just had to join in the fun.

TODAY ONLY! You can join the Children's Writer's Coaching Club for 1/2 price. Suzanne Lieurance is offering a block buster discount if you join TODAY.

Already a bargain at $27 a month for anyone but at the special low price of $13.50 per month you are receiving a spectacular opportunity. Just click on the Children's Writer's Coaching Club logo and it will take you to the sign up page.

Yes, there is more. You can begin learning how to break into the children's writing market TODAY by attending a FREE teleclass December 1, which is tonight at 7 p.m. central time and 5 p.m. pacific time and 8 p.m. eastern. Suzanne Lieurance is my special guest tonight. Click here to pose a question and if you are among the first 24 to sign up you will receive the New York Times Best Seller, The Christmas Box, by Richard Paul Evans.

After asking your question, type in your mailing address to have the book shipped to you.

Write it down,
Carma

Wednesday, November 26, 2008

Find Out Anything and Everything You've Always Wanted to Know About Writing and Publishing for Kids


If you’ve been wondering how to get started writing and publishing your own stories and other work for kids, then you won’t want to miss this special FREE teleseminar next Monday night, December 1, 2008, at 7:00 central time, 5:00 pacific time and 8:00 eastern time.

I will host this teleseminar with special guest, Suzanne Lieurance, author of over a dozen published books for children, instructor for the Institute of Children’s Literature, and founder and director of the National Writing for Children Center. Suzanne will be answering questions that are submitted prior to the call. Just sign up and attend the seminar to hear the LIVE answer to your question.

Sign up for this Free teleseminar right now, and ask your most pressing question about writing or publishing for kids. Then, attend the LIVE teleseminar Monday night December 1, to learn the answer to your question.


The first 24 to register and ask a question will receive a special gift. The New York Times Best Seller, The Christmas Box, by Richard Paul Evans. A Christmas classic. After typing in your question, please type in your mailing address to have the book shipped to you.


To attend the seminar, register here now.

Write it down,
Carma

Monday, November 24, 2008

Interview Experts for Non-Fiction Work


When writing non-fiction, research is not the only way to gain information on your topic. Interview an expert to illuminate what is important. Maureen J. Hinds has written an excellent article on this topic. I’m going to put this one in my notebook. Read on.

Writing for Children – Interviewing experts for Your Non-fiction Work.

Know Your Subject
This may seem contradictory to the purpose of conducting the interview—you’re consulting an expert because you’re not one yourself, right? Yes—however, you need to have a good grasp of your topic so that you know what you’re talking about during the interview. The purpose of contacting an expert is to clarify and gain additional information, not to be taught your subject. Experts appreciate the effort you put into understanding the topic and being able to speak as knowledgeably as possible about it.

Prepare, Prepare, Prepare
Preparation is key to a good interview, no matter what method you choose. Make a list of your questions ahead of time, for your own purposes and to send to your expert. Many people appreciate knowing what they will be talking about, as it allows them to generate thoughtful responses rather than “off the cuff” comments. Send your list of questions to your interview subject, and follow them during the interview (while allowing the interview to veer as appropriate).

Decide How You Will Conduct the Interview
This depends in part on your subject, but your options often include in person, by phone, or through email. All methods are acceptable, and while a shy person may lean toward email, remember that the immediacy of an in-person or phone conversation can often add that “human” element that might be just what your piece needs. Sometimes you won’t have a choice, if your editor or subject prefers a particular method. It’s a good idea to practice various methods as you progress through your writing career. (If you record a conversation, be sure your subject knows and check any applicable state or governmental laws.)

Be Respectful of your Subject’s Time
Many professionals are happy to lend their expertise to your cause, as long as you don’t abuse the privilege. Be respectful of the person’s time, letting them know ahead how long you expect the interview to last. Be on time, and stick to your time estimate. If you run over, you can request a second interview, or ask if you can follow-up via email or phone.

Quote Accurately
No matter what method you choose, be careful that you quote your experts accurately. Obviously, this can be easier via email, but it is certainly possible for other types of interviews as well. If you have time, consider sending the quotes to your expert for review before submitting the manuscript. Not only will this help ensure accuracy, but it also gives your expert an extra opportunity to clarify a difficult topic or expand on an idea or comment. If your topic is technical, you can also request permission to rephrase the quote in terms that your younger readers will understand. Many experts are open to this, and will approve your changes—just be sure to let them know! And of course, when you write your piece, be sure to give credit to your source.

Where do you find experts? There are many options, but here are some ideas to get you started:
• Check your local yellow pages

* Investigate professional and nonprofit organizations

* Ask for references from research contacts, colleagues, those you talk to throughout the process, and even in casual conversations when someone says, “I know someone who…”

* Names you run across through Internet and other research

* Through online directories such as http://www.profnet.com

Maurene J. Hinds is a children's author with several published books and two forthcoming. She is an experienced teacher who has taught creative and technical writing and literature at the high school and college levels, and teaches online writing workshops and offers manuscript critiques through her website. She holds a Master of Fine Arts in Writing for Children and Teenagers from Vermont College. She is completing a young adult novel, "Bruised," under the name Maurene Janiece. Visit her website at http://www.maurenejhinds.com
Article Source: http://EzineArticles.com/?expert=Maurene_J._Hinds


Write it down,
Carma

Friday, November 21, 2008

While Mama had a Quick Little Chat - Book Review


While Mama had a Quick Little Chat
Author: Amy Reichert
Illustrator: Alexandra Boiger

Reading level: Ages 4-8
Hardcover: 40 pages
Publisher: Atheneum/Richard Jackson Books (May 17, 2005)
ISBN-10: 0689851707
ISBN-13: 978-0689851704

“While Mama has a quick chat with Uncle Fred, Rose is supposed to be getting ready for bed.” Yeah right. All children know how quick these “quick little chats” can be when they try to get Mama’s attention. Rose’s Mama gave her detailed instructions what to do while she was on the phone.

“Brush your teeth. Wash your face. It’s getting late! I want you in bed by half past eight.”

Rose thought “No problem,” but then the door bell rings and four muscley men appear with a load of party supplies. To no avail Rose calls and calls out to her Mama but she keeps saying she will be through soon, so Rose lets them in.

More people begin to arrive and Rose tries to slam the door but people keep coming with waiters and trays of hors d’oeuvres. Rose can not stop this big party no matter how hard she tries so she decides to join in the fun. Something odd happens when a magician appears.

“Mama!!!” shrieked Rose “Come right now and see!”
“Rose, dear,” said Mama. “Stop Pestering Me!!!”

Finally the band arrives and they need a drummer so Rose steps in and begins to play a boogie beat. When Mama warns she is ready to get off the phone Rose makes sure everyone leaves and take their mess with them. Everyone left and thanked Rose for a fun time. Mama finds Rose fast asleep in her bed and none the wiser as to the big bash that had just happened in her living room.

The story is told in rhyme with an upbeat and steady rhythm and characterizes the impatience children often exhibit while waiting for attention from the parents. I think children will appreciate the humor because they will be able to relate to Rose. On the flip side parents will relate to Mama when she becomes irritable as Rose shrieks and begs for attention.

Mama and Rose both have skinny legs and pointy toes with red hair going everywhere. The cartoon type illustrations add a lot sparkle and life to the story. The addition of Rose’s cat in the illustrations adds a bit of amusement as a spectator to the party. This is a splendid book to share with everyone.

About the author: Amy Reichert has a home phone, a cell phone, a speakerphone, a headset phone, and call waiting. She can cook, clean, work in the garden, check e-mail, help with homework, brush her cats, eat, read, exercise, drive, watch TV, feed her fish, and write a book -- all while having a quick little chat! She lives with her husband and two children in Bethesda, Maryland.

About the Illustrator: Alexandra Boiger is the illustrator of While Mama Had A Quick Little Chat by Amy Reichert and Roxie and the Hooligans by Phyllis Reynolds Naylor, as well as Doris Orgel's Doctor All-Knowing, coming in 2008. She lives in San Anselmo, California.

Write it down,
Carma

Thursday, November 20, 2008

Sprinkle a Few Sparkles Here and There


Jill McDougal has written over a hundred books for children. I found her to be quite informative and fun. I hope you enjoy her article on how to put that special something in your story.

Writing for Children – Add a Sprinkle of Sparkle

It's your worst nightmare. The editor at Blockbuster Publishing has sent you an email. She's read your manuscript and she likes it but there's one small problem (and this is where you stop breathing), your story needs more ... sparkle.

Your heart sinks to your toes.

If only the editor had asked for something else. Anything else. More words. Less words. Words without the letter 'e'. But asking for sparkle is like asking for a bag of fairy dust.

In my role as a writing tutor, I've read thousands of manuscripts and I'd say that sparkle is the element that writers find most elusive. A story can be competent, readable, even clever but in a competitive market, sparkle is the magic ingredient that will attract an editor.

There's no recipe for sparkle but if you want to put an extra coat of gloss on your story, try this:

First save a new copy of your story - a copy that you will work on for this exercise. That way you'll feel relaxed about making a ton of changes. You can always go back to your old sparkle-free version later. (Yeah, right.)

Ready?

First read your story out loud. Don't just mumble it to yourself. Stand up and make your delivery as entertaining as possible. Pretend you're reading an excerpt at your book launch. There are some sentences, paragraphs and whole scenes that you know the audience will love, right? Gems that will have them giggling, or sighing or leaning forward in their seats. When you get to these engaging passages, colour them bright orange (use a highlighter).

There are also some bits of your story where the writing is flatter or the scene less interesting. Bits that might have your audience gazing at the freckle on your nose or wondering about Aunt Clara's recipe for tomato bisque. Be honest - you know there are. These are the ho-hum bits you'd prefer to rush over or skip altogether. Colour these parts blue.

To find out why go here to read the rest of the article.

Jill has written over a hundred books for children. You can find more writing tips at
http://www.jillmcdougall.com.au
Article Source: http://EzineArticles.com/?expert=Jill_Mcdougall


Write it down,
Carma

Monday, November 17, 2008

Learn the Do's and Dont's of Writing for Children



You want to be a children's author and you have discovered there is more to writing than writing a story. Embarking on a writing career is like enrolling in the school of hard knocks. You will learn many skills by experience only. As you write in your genre you will need to study various aspects of the publishing industry before you seek publication.

I know this is all overwhelming right now but you do not need to do this alone. Do what I and countless other writers are doing. Join the Children's Writer's Coaching Club. ">Join Here There is no need to be discouraged and alone.

Here are some great do's and don'ts you will learn under the guidance of author and writing coach, Suzanne Lieurance.

DO:
Learn the writing market. Spend lots of time in your local bookstore and library, reading through current bestsellers.

Perfect your craft. Before worrying about seeing your name in print, really learn how to write. Take courses, read "how-to" books, join a writing group, and so on. Write for the sake of writing, and enjoy the journey.

Focus your attention on "hot" areas in children's publishing. Current hot issues include multicultural stories, nonfiction for all ages, horror stories and easy readers.

Learn how to request publisher guidelines and catalogs before submitting your work to a publisher. Study these to make sure your work is what the publisher is currently seeking.

Learn to write an upbeat query letter that will hook the attention of a stressed editor.

Be persistent. Success as a writer rarely comes easily or quickly. Don't get discouraged by rejection...just keep writing!

DON'T:
Assume that today's kids' books are just like the ones you read as a child. Juvenile literature is more sophisticated, creative and far-ranging than ever before.

Get bogged down in cliches. Editors are sick of cute talking animals, "ugly duckling" stories about shy wallflowers who save the day, and moralistic tales that shout "it's OK to be different!" Strive for originality.

Treat kids like babies. Don't talk down to your readers. Use rich and interesting language that evokes strong visual images, not baby talk.

Preach. Your job as a writer is to entertain. If your story has a message, tell it through the plot and characters, not by a "moral" tacked on to the end.

This is just a sample of the wealth of information and support you will receive through the CWCC Join today and begin writing your passion.

Write it down,
Carma